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Legend: (DU)
= Date Unknown, Date/Playlist, EVENT, Review, Timeline, Link,
Quote, Poetry/Lyrics
Late February: London Fog
Audition - West
Hollywood, CA
The Doors audition the London Fog, owned by
one
Jesse James, on the Sunset Strip and are hired to be the regular
house
band. The band members earn $10.00 a night and play Thursday -
Sunday
doing five sets from 9 P.M. - 2 A.M. beginning sometime in late
February or possibly early March (DU). For the audition, The
Doors made
sure all their friends from UCLA came out to go crazy after
every song
and make them seem like a really popular band with a big draw.
It
worked and the band was hired on the spot and the next night no
one was
there, business as usual for the London Fog.
The Doors will be the
regular house band here for about two months until financial
troubles
hit the club sometime in early May (DU). Jim is very shy and
sings
close to the band mostly with his back turned to the usually
small and
varied crowds choosing to interact with the band rather than the
audience. The time spent here is invaluable for The Doors as it
allows
them to thoroughly develop there sound and incorporates Jim to
slowly
become more confident on his way to evolving into a charismatic
front
man.
Throughout March: London Fog
- West Hollywood, CA
Soon
the
band is hired for two more nights and Jim,
playing six days a week now, starts to become more expressive
with each
performance. Jim moves out of Ray's and into an
apartment
with UCLA film friend Phil O'leno.
Throughout April: London Fog - West Hollywood, CA
The
Doors
continue at the small club honing their
skills and original sound. Jim is smoking pot all day, drinking
all
night, he loves acid and pops speeders when he needs them often
while
on stage. He is still self conscious performing but the drugs
and
alcohol help release his unique personality as he begins to
repel and
attract with his antics both on and off stage. He is stirring up
attention and becoming the most talked about singer in LA. The
band is
hungry for success and advancement and walk up to the premier
club on
the strip, The Whisky, between sets to see what's going
on. Jim seeks out the manager, Ronnie Haran, incessantly and
tries to
convince
her to come see them play.
"We'd all hang out after hours at Canter's Deli on Fairfax. Every freak in town and every band in town. All Zappa's people and all the Doors. All the Byrds, Arthur Lee with his scarves, Buffalo Springfield, the Daily Flash, Sons of Adam. We'd exchange acid, stories, girlfriends and sandwiches. Morrison stood out because he was incredibly handsome and, if he wanted to, he could get very loud. Everybody attracted a different kind of hanger-on, and even then Jim was already attracting the budding little dark poets and little lost waifs."- Jimmy Greenspoon, keyboards for Three Dog Night
Tue. April 5: Timeline - Of Interest
Grayline Tours first
include
the Haight Ashbury district on their tours of San Francisco.
Fri. April 15: Timeline
- Vietnam War
Draft card law making
burning
draft cards a federal offense is held unconstitutional.
Sat. April 23: Will
Rogers State Park - Los
Angeles, CA
The war in Vietnam is
escalating and many people are beginning to make known their
feelings
against the
war. This is called a "No War Toys" gathering in protest of
America's
increasing involvement.
C O L U M B I A D R O P S T H E D O O R S
Early May: Ford
Motor Company Training Film - Los Angeles, CA (DU)
The Doors no longer under
any
contracts are hired to provide background music to a Ford
training film
for
mechanics. The Doors compose music for the opening sequence
while
viewing the film on a small monitor in a tiny studio. They play
pieces
from what
will become "The Soft Parade" in an attempt to convey rural
America.
Thu. May 5: London
Fog - West Hollywood, CA (DU)
After persistent ploys by
Jim,
Ronnie Haran attends her first Doors show at the London Fog and
ends up
inviting the band to auditions the following Monday. Around this
time,
The
Doors are informed that they will be let go after this weekend's
performances
by the London Fog due to financial problems and a lack of
audience.
Fri. May 6: Warner
Playhouse - Los Angeles, CA
The Doors play this
after-hours gig from 2:00 a.m.- 4:00 a.m. after their London Fog
show.
The playhouse
also features other bands and exotic dancers.
Sat. May 7: Last
Performance at the London Fog - West Hollywood, CA (DU)
This is The Doors final
appearance and the London Fog closes shortly after due to
financial
problems later
re-opening as Sneaky Pete's on May 13th.
Sat. May 7(2): Warner Playhouse - Los Angeles, CA
Mon. May 9: Whisky
A Go Go - Audition - West
Hollywood, CA (DU)
This
is The
Doors first appearance at The Whisky
auditioning for the position of house band in which they will
open up
for the headliners. After this live audition, the owner, Elmer
Valentine, likes the band and hires them to be the regular house
band.
However, The Doors do not begin immediately because they are
hard to
track down lacking any permanent address. Ronnie Haran finally
tracks
them down and informs them of their position.
Fri. May 12 - Sat. 13: Brave New World - Hollywood, CA (DU)
The Doors open for Arthur
Lee
of Love. This club closes down shortly after this performance.
Fri. May 13(2): Warner Playhouse - Los Angeles, CA
"Night Flight"
performance
from 2:00 a.m. - 4:00 a.m.
Fri. May 13(3): Royce
Hall
Auditorium - UCLA
This is the school's 7th
semi-annual exhibition of student films. Ray is among the
headliners at
this mega-popular event featuring his movie Induction.
Sat. May 14(2): Warner
Playhouse
- Los Angeles, CA
"Night Flight"
performance
from 2:00 a.m. - 4:00 a.m.
Thu. May 19: Betty's
Music Shop - Venice, CA (DU)
The Doors play for a
small
crowd hanging outside the music store this afternoon. The Doors
begin
by looking at some equipment and end up doing a short four or
five song
impromptu set.
T H E D O O R S B
E
G I N T H E I R L E G E N D A R
Y S
T A N D A T T H E W H I S
K Y
A G O G O
( 5 / 2 3 / 6 6 t
o 8
/ 2 1 / 6 6 )
T H E W H I S K
Y A
S I T W A S I N 1 9 6
6
"In May of 1966 I had flown to LA and was picked up at the airport by Ronnie Haran in her white convertible. Arthur Lee was playing the Whisky and expected me to drop by. It was 11pm LA time, 2am New York metabolism time. I was beat, but I went. Arthur urged me to stick around for the next band. Whoever they were, Arthur had a high opinion of them, and I had a very high opinion of Arthur's opinion, so I stayed.
It was the Doors,
and
they did nothing for me. There
was another group
that played the Whisky that I had fallen in love with and
tried
desperately to sign, Buffalo Springfield, but Ahmet Ertegun
of Atlantic
was far more convincing. We were a smaller label without
Atlantic's
amazing track record of hit singles. Love had gotten my foot
in the
rock door, and now I needed a second group to give Elektra
more of that
kind of credibility, but the Doors weren't showing it to me.
Jim was lovely to look at, but there was
no command.
Perhaps I was
thinking too conventionally, but their music had none of the
rococo
ornamentation with which a lot of rock and roll was being
embellished-remember, this was still the era of the Beatles
and
"Revolver," circa 1966. Yet, some inner voice whispered that
there was
more to them than I was seeing or hearing, so I kept
returning to the
club.
Finally, the fourth evening, I heard
them. Jim
generated an enormous
tension with his performance, like a black hole, sucking the
energy of
the room into himself. The bass line was Ray Manzarek
playing a second
keyboard, piano bass, an unusual sound, very cadenced and
clean. On top
of Ray, Robby Krieger laid shimmering guitar. And John
Densmore was the
best drummer imaginable for Jim-whatever Morrison did
Densmore could
follow, with his jazz drummer's improvisational skill and
sensitivity.
They weren't consistent and they needed some fine tuning
before they
would be ready to record, but this was no ordinary rock and
roll band.
In my folk days, I would mike voices and
instruments
very close up, and
the records sounded fat and full, the voice popping out,
right in front
of your living room speakers. I thought that with equivalent
miking and
proper stereo spacing we could make a virtue of the group's
sparseness.
Kurt Weill's 'Alabama Song' was a surprise coming from a
rock band, and
their arrangement impressed me. And when I heard, really
heard,
Manzarek's baroque organ line under 'Light My Fire,' I was
ready to
sign them.
- Jac Holzman,
President Elektra Records, Follow The Music
Sat. May 28 - Wed. June 1: Whisky A Go Go - Opening for Love - West
Hollywood,
CA
The Doors open
shows for Love,
featuring Arthur Lee, who have signed with Elektra Records
earlier this
year the first band ever signed
by Elektra. Love, who formed in April of 1965, released
"Little Red
Book" this Spring and
are receiving
national
attention and it is "7 and
7 Is" released
later in July that will put
them
on the charts. Both songs are off
there debut album simply
titled Love.
(DU) Jim's sister Anne visits with her child
Dylan.
1966 Photo Credit Anne Morrison, scanned from p. 13 of The
Doors on The
Doors
Mon. May 30(2): Hullabaloo
- West Hollywood, CA
The Doors open this
after-hours performance with "Light My Fire" after their
regular gig at
the Whisky.
"I just remember that some of the best
musical trips
we took were in clubs. There's nothing more fun than to play
music to
an audience. You can improvise at rehearsals, but it's kind
of a dead
atmosphere.
There's no audience feedback. There's no tension, really,
because in a
club
with a small audience you're free to do anything. You still
feel
obligated
be good, so you can't get completely loose; there are people
watching.
So
there is this beautiful tension. There's freedom and at the
same time
an
obligation to play well. I can put in a full day's
work, go home
and
take a shower, change clothes, then play two or three sets
at the
Whisky,
man, and I love it. The way an athlete loves to run, to keep
in shape."
Thu. June 2 - Fri. 17: Whisky A Go Go - Opening for Them - West
Hollywood, CA
The Doors open for Them
(with
Van Morrison) for a two week engagement. Van Morrison founded
the band
in 1965 in Belfast. Them is currently on a West
Coast tour that will be
their only U.S. tour with Van Morrison who quits the band after
their
return to Europe. These shows are sellouts and totally awesome!
The
Doors members had
a hard time even finding a place to watch Them on opening night
it was
so
packed! Them plays their popular
hits "Gloria", "Baby, Please Don't
Go", and "Here Comes the Night". Jim thought very highly
of Them
as did all The Doors. Jim
especially liked Van's usually drunken violent
performances in which he would scream and yell while
slamming the mic
stand into the stage. After the show, Ronnie Haran threw a
welcoming
party at her apartment for the guys, in which Jim
was absent. John
attended and saw the other side of
Van Morrison - a quiet and sensitive man with little
interest in small
talk.
Mon. June 6: Timeline
- Space
Unmanned spaceship
Gemini 9
lands on the moon.
Sat. June 18: Whisky A Go
Go -
On-stage
with
Them - West Hollywood, CA
The Doors appear on-stage with
Them at the end of the late show on their last performance of
their
engagement. The stage is set-up with both bands' full equipment!
They
play an extended 25 minute version of Wilson Pickett's "In The
Midnight
Hour" and "Gloria" is the 20 minute grand finale. Van Morrison
later
comments that this performance with The Doors was one of the
highlights
of his career with Them. The bands played an all ages 4:00 p.m.
matinee
and late shows on Saturdays and Sundays during this booking.
Wed. June 22 - Wed. July 10: Whisky A Go Go - Opening
for Gene Clark
The Doors reputation continues to grow. Jim is really acting up on stage often appearing crazed and this brings The Doors much attention, especially Jim. People start calling The Whisky asking about The Doors. Jim continues to give X-rated performances while constantly tripping. Jim is mastering the stage while drawing people off the Strip and record companies to the shows.
"He was kinda ahead of his time on
certain
things, like swearing . . . But those calls kept coming in.
'When's
that horny motherfucker comin' in' the phones were
incredible. We never
got that many calls before for just a second group." Elmer
Valentine,
Whisky Owner
Sat. July 16 - Sat. 23: Whisky A Go Go -
Opening for
The Turtles and First Review
The Doors
open for
the very popular Turtles who play
such hits as "Eve of Destruction" and Dylan's "It Aint Me
Babe"off
their debut album It Aint Me Babe. There are a lot of media here
to check
out The Turtles this week and The Doors get some extra exposure.
The Doors receive their first review by Los
Angeles
Times writer Pete Johnson who is attending one of the shows on
opening
night Sat. July 16th. He is here to primarily write a
review on
The Turtles but can't help throwing in his two-cents on The
Doors.
Pam backstage at the Whisky 1966 (DU)
Scanned from p. 77 of The Doors on The Doors
"The general idea was to blow the headliners off the stage." (1972)
Wed. July 27: Whisky A Go Go - Opening for The Chambers
Brothers and
Johny Rivers
Thu. July 28: Starlight
Ballroom - Oxnard, CA
Also performing: Them;
The
Count Five ["Psychotic Reaction"]
Publicity
shoot near Mullholand Falls, Los Angeles, 1966 (DU)
Photo credit Bobby Klein 1966 scanned from p. 21 of The
Doors on
The Doors
Thu. July 28(2): Earl
Warren
Showgrounds - Santa Barbara, CA
This is the "Mid-Summer
Spectacular Show of Shows" and it runs from 7:30 p.m. till
midnight and
is promoted
by James Salzer. Salzer holds the distinction as the first
promoter to
book The Doors in a larger concert venue. (There's another great
trivia
question for the hardest of Doors fans!)
The local newspaper, in
writing an article about the upcoming show, describes The Doors
as "a
controversial group in Los Angeles coming to Santa Barbara
direct from
the 'Whisky A Go Go' in Hollywood". The Doors are already
considered
"controversial" as far north as Santa Barbara even though they
are
still only the opening band.
Also performing: Them; The Count Five
Fri. July 29 - Sun. 31: The
Fifth
Estate - Phoenix, AZ (DU)
Mon. Aug. 1 - Thu. 4: Whisky
A Go Go - The Rolling Stones & David Crosby
During
this
time the Rolling stones are in town for
a recording session and stop by to hear The Doors. They are
reportedly
not very impressed. Also around this time, Jim gets into it with
David
Crosby who is performing with The Byrds. On the night of Lenny
Bruce's
death Crosby stops by to hear some music wearing shades
throughout the
evening. Jim while performing shouts to Crosby that he can't
hide
behind his sunglasses and an
argument ensues. Also performing: Johny Rivers; The Chambers
Brothers.
Fri. Aug. 5: Starlight Ballroom
- Oxnard, CA
The
Doors
show up at promoter Salzer's Arcade Record
Store to lend support against an ordinance being passed in
Oxnard
banning dancing in an attempt to thwart the evolution of the
current
music scene. Also performing: The Seeds
Sat. Aug. 6: Earl Warren
Showgrounds - Santa
Barbara, CA
The
Doors
play Salzer's show with The Seeds from
8:00 p.m.- midnight which is held in the Flower Show Building.
Sun. Aug. 7 - Tue. 9: Whisky
A
Go Go - West
Hollywood,
CA
Also
performing: Johny Rivers; The Chambers Brothers
Thu. Aug. 11 - Sun. 14: Whisky
A
Go Go - Opening for Love
Mon. Aug. 15 - Sat. 20: Whisky
A
Go Go - Paul Rothchild Arrives to See The Doors
On
August
15th, Paul Rothchild and Jac Holzman come
to the Whisky to hear The Doors. After that second set, Holzman
and
Rothchild approach the band and offer them a contract this very
night!
The Doors
are excited but tell Elektra they need to think it over. Holzman
and
Rothchild return to New York and The Doors hire Max Fink as
their
attorney while
thinking the deal over. On the 16th, Max Fink and Elektra begin
negotiations.
"I came to the club and there was a small crowd, not big. The Doors opened, and I heard one of the worst sets of music I have ever heard in my life. Knowing that the record company always gets to hear the bad sets, and that I had just traveled across the country to hear them, I stayed and heard one of the greatest sets of music I have ever heard in my life!"
T
H E D O O R S U N O F F I C I A L L
Y S I G N W I T H E L E K
T R A
Wed. Aug. 18: The Doors Sign
with Elektra
The
Doors
sign a contract with Elektra but it isn't
until November of this year while touring in New York that they
agree
on a complete contract specifying seven albums among other
details.
"The
people said everyone in town was trying to
sign us up, but it really wasn't true . . . in fact, Jac
Holzman's
might have been the only concrete offer we had. We may have
made him
come up with the best deal possible, but there's no question
we weren't
that much in demand." (1969)
T H E B E G I
N N I
N G O F T H E W H I R L W
I N D
The
Doors are obviously excited about their new upcoming record
deal. They
are about to go into the studio, take a trip to NYC and get
kicked out
of the Whisky for obscenities. This is a very magical time
for all the
members and their close friends. They are like a huge fiery
comet ready
to go as far as their energy will take them. But little do
they realize
what awaits them and how fast things will begin to move for
all of
them, especially Jim Morrison. This is where I believe the
legend
really begins. From this point on it is like going from a
6th grader to
an adult with more responsibilities than you can handle.
It's tough for
anyone, any band, especially in such a time as the sixties
where excess
is the norm and there is more, more, MORE!!!
Click on the early
Elektra
logo for
the history of the label and founder Jac Holzman.
F I N A L W H I S K Y P E R F O R M A N C E S - O E D I P A L S E C T I O N
"He was getting crazy, taking acid every day. He was obsessed with death, never did anything in moderation, a consumptive personality. When we parted, he said, 'I'm gonna be dead in two years." Ronnie Haran
And he came to a door,
And he looked
inside,
Father? - Yes, son?
- I
want to
kill you
Mother - I want to
. . .
Fuck you mother all night long
"The End" is the highlight of the sessions recorded in only two takes on consecutive evenings. Later, on the evening of the second take, after singing in total darkness except for a single candle, Jim sneaks back into the recording studio and hoses the whole place down with a fire extinguisher putting out the symbolic fire the band has created on this magical night. Paul Rothchild, back in New York, uses both takes later in editing the song switching between the first and second takes right before the lyric "The killer awoke before dawn..." Jim was too high on acid to really capture the song on the first night, but totally took control on the next, capturing a piece of musical history.
"the
most
awe-inspiring thing I'd ever witnessed in a studio."
"When it
came time
to do 'The End' a very different mood took Jim over.
He
became shamanistic and led the small group on a
shamanistic voyage. He
put himself into a trance and, through that, put us
all into a trance."
"We didn't start out with such big ideas.We thought we were going to be just another pop group, but then something happened when we recorded 'The End'. We saw that what we were doing was more important than just a hit song. We were writing serious music and performing it in a very dramatic way. 'The End' is like going to see a movie when you already know the plot. It's a timeless piece of material... It was then that we realized we were different from other groups. We were playing music that would last for years, not weeks."
Thu. Sept. 15 - Sun. 18: Bido Lito's - Hollywood, CA (DU)
The Doors had tried to
play
here in the past and did many auditions but were never booked.
Well,
after securing a record deal and causing quite a stir on the
Strip they
are greatly welcome. Since The Doors have just recorded their
first
album, they are all extremely loose and carefree during these
performances. Also performing: The Seeds.
F I R S T P U B L I C I T Y S H O O T
Late September: Publicity Shoot
- Venice, CA (DU)
The Doors take a day out
to
walk around Venice while being photographed for their first
publicity
shoot. You can already see the professionalism and seriousness
the band
takes in portraying their image.
Throughout October: Sunset
Sounds Recording Studio - Los Angeles
The Doors, although not mandatory, take
part in the
mixing process of the first album with engineer and producer
Botnick
and Rothchild. The album quickly begins to take shape.
Timeline: Black Panthers - Civil Rights -
Oakland, CA
Bobby
Seale
and
Huey Newton launch the Black Panther Party in Oakland. The
black
civil rights movement is becoming more and more extreme.
H. Rap Brown
"Violence is as American as apple pie", Eldridge Cleaver
"You are
either part of the problem or part of the solution".
Malcom X's more
extreme viewpoints are striking a chord with the black
community more
than Martin Luther King's more passive remarks. White
middle class is
starting to listen as the panthers dress in berets and
black leather
jackets like uniforms.
F
I
R S T T R I P T O N E
W
Y O R K C I T Y
Mon. Oct. 31: Halloween 1966 - The Doors hit New York City
The Doors arrive in NYC
and
check into the Henry Hudson Hotel on 57th St. They attend an
extremely
weird Halloween party at Ondine's on the Upper East Side. This
is the
same place where they will be giving their first East coast
performances booked sight unseen and only by reputation as
L.A.'s
hippest band with a sound unlike anything that is being played
in NYC.
The Doors will be in NYC for a month playing at Ondine's at
night and
working with Rothchild on the final mixing of the first album in
both
stereo and mono. This is completed during this month. Rothchild
was
nearly half through the final mixes when The Doors arrived in
NYC.
Tue. Nov. 1 - Wed. 30: Ondine Discotheque - NYC
A small basement of a club in Midtown
Manhattan. The
Doors will perform here as their first out-of-town gig. They
will play
here for a month. The Doors are hired sight unseen with the
title as
LA's best underground band with a sound unlike anything being
played in
New York. They were different in every sense. The way they
dressed. The
way they took the stage. The way they carried themselves around
the
club and although the music isn't danceable in the classic sense
the
girls slowly start coming to see Morrison and the band really
wins over
the New York crowd. Robbie Krieger believes this is the time
when The
Doors played their best!
The Doors at
Ondine in New York City 1966 (DU)
Photo credit "Backstage" Tom Monaster left; Don Paulsen @
Michael Ochs archive scanned from p.
52 of The Doors on The Doors right
"We were doing
like five sets a night in this club, and we were hot. I
wished they
would have recorded us live then."
Robbie
Krieger
excerpt from Break On Through p. 121
"He
sauntered over to the bar (Morrison) and I thought
to myself, if this
guy can recite the phone book he's going to sell a
million records . .
. He was gorgeous, magnetic"
Steve Harris, VP of Elektra, on his first encounter of
Morrison at
Ondine, NYC
T H E D O O R
S S I G N W I T H E L E K
T R A
Late November:
Photo and Video Shoot - NYC Elektra Studios
The band does a photo
shoot for the album cover (DU) and shoots a
video
towards the end of the month for the upcoming single release
"Break on
Through" in an Elektra studio with director Mark Abramson.
Early December: The Doors return from NYC
Ray, Dorothy and John
decide
to drive back together on Route 66. Upon returning, Jim and Pam
first
move in together at 1812 Rothdell Trail in
Laurel Canyon. They spend
some of their happier days here although they are broke. Jim
writes the
song "Love Street" while staying here about Pamela and the
nearby
Canyon Country Store. They do a lot of drugs and many dangerous
things
together always trying to scare each other. John and Robby also
get a
place together in Laurel Canyon.
Thu. Dec. 8: Jim Morrison's 23rd Birthday
Fri. Dec. 9 - Sat. 10: The
Sea
Witch - Hollywood, CA
Fri. Dec. 16 - Sat. 17: The
Sea
Witch - Hollywood, CA
Sat. Dec. 31: Private
Residence - Montecite, CA (New
Year's
Eve)
The Doors bring in the
New
Year playing at a private party - 1967 will be quite a year!
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